Brought up in Sweden by an ex-punk rocker plus a fashion filmmaker/photographer, Adrian Lux was as unsettled as his mother and father while at a young age. For example, as he was first beginning to learn how to play guitar, Lux was clinching modeling jobs for such leading efforts as the Swedish mailing program and Stockholm’s response to Barney’s, Nordiska Kompaniet. In fact, he failed to take music earnestly until he was seventeen years old. That would be when Lux and his buddies employed their extra gym schooling as a justification to assemble hip hop beats. Dipset and Dancehall happened to be Lux’s 2 fixations during this time. However, everything altered as soon as he managed to graduate and took a visit to South America.
When Lux got to South America, he was taken aback by the music as it was not at all what he expected. In fact, Lux had stated that in some ways the music was better than he expected. For instance, he did not hear the same samba music over and over as he thought he would. Rather, people were really into the electronic music scene.
By that, he suggests anything from drum ‘n’ base to electro to drum. Not forgetting touches of moon-lit techno as well as angry progressive house. Without having so much as an idea, Lux gravitated to the kind of dancing twelve inch tracks that activate long-hidden recollections thus making you move. Tunes like his track, “Strawberry” a sun-stroked combination of huge airs and laser-directed synthesized lines. Additionally it is powered with a refrain that brings to mind the height hour plates of Tiesto, deadmau5 and Kaskade.
To make things much more complex, Lux lately routed his hip hop origins on the “Rapclash Remix” of his “Strawberry” track. If you failed to listen to it the first-time around, this is the one which starts and finishes against the verses of Rye Rye. The cross-over cut functions so nicely that Swedish air waves slipped it in their rotation after listening to it on a site.
